Aspects of Modern Opera Lawrence Gilman 30 İndirim — Lawrence Gilman

Lawrence Gilman tarafından kaleme alınan Aspects of Modern Opera Platanus Publishing eseri olarak okurlarla buluşuyor Aspects of Modern Opera Lawrence Gilman Kitap Özeti Since that day when a quarter of a century ago Richard Wagner ceased to be a dynamic figure in the life of the world the history of operatic art has been save for a few conspicuous exceptions a barren and unprofitable page and it has been so in a considerable degree because of him When Mr William F Apthorp in his admirable histo ry of the opera a book written with unflagging gusto and vivid ness observed that Wagners style has been since his death little im itated he made an astonishing assertion If by Wagners influence he went on is meant the influence of his individuality it may fairly be said to have been null In this respect Wagner has had no more fol lowers than Mozart or Beethoven he has founded no school Again one must exclaim An astonishing affirmation and it is not the first time that it has been made nor will it be the last Yet how it can have seemed a reasonable thing to say is one of the insoluble mysteries The influence of Wagner the influence of his individuality as well as of his principles upon the musical art of the past twenty five years has been simply incalculable It has tinged when it has not dyed and satu rated every phase and form of creative music from the opera to the sonata and string quartet Yayınevi Platanus Publishing Yazar Lawrence Gilman Sayfa 47 Sayfa Kağıt 2 Hamur Boyut 16 00x24 00 cm Basım Yılı Ocak 2023 Barkod 9786258210880 Kategori Güzel Sanatlar

Since that day when a quarter of a century ago Richard Wagner ceased to be a dynamic figure in the life of the world the history of operatic art has been save for a few conspicuous exceptions a barren and unprofitable page and it has been so in a considerable degree because of him When Mr William F Apthorp in his admirable histo ry of the opera a book written with unflagging gusto and vivid ness observed that Wagner s style has been since his death little im itated he made an astonishing assertion If by Wagner s influence he went on is meant the influence of his individuality it may fairly be said to have been null In this respect Wagner has had no more fol lowers than Mozart or Beethoven he has founded no school Again one must exclaim An astonishing affirmation and it is not the first time that it has been made nor will it be the last Yet how it can have seemed a reasonable thing to say is one of the insoluble mysteries The influence of Wagner the influence of his individuality as well as of his principles upon the musical art of the past twenty five years has been simply incalculable It has tinged when it has not dyed and satu rated every phase and form of creative music from the opera to the sonata and string quartet Tanıtım Bülteninden